University Mission:  As a Sinsinawa Dominican sponsored institution.  Dominican University prepares students to pursue truth, to give compassionate service and to participate in the creation of a more just and humane world.  The University Motto, Caritas et Veritas, characterizes the essence of this mission.

 

 

 

There have been great societies that did not use the wheel, but there have been no societies that did not tell stories.             ~ Ursula Le Guin

 

 

 

Dominican University

Graduate School of Library and Information Science

LIS 718 01: Storytelling for Adults & Children

Spring 2008

Wednesdays, 6-9 p.m.  Crown 310-B

 

 

Contact Info: 

                        Janice M. Del Negro

            Crown 323

            708/524-6871

            jdelnegro@dom.edu

 

 

Office Hours:

            Wednesdays, 4-5 p.m.

            Thursdays, 4-5 p.m.

(Appointments are strongly encouraged.)

 

 

 

There is no book on how to tell stories and what to tell.  It is a call to go questing, an urge to follow the way of the storyteller as pilgrims followed the way of St. James in the Middle Ages, not for riches or knowledge or power, but that each might find something for which his soul had cried out.                                                      ~Ruth Sawyer, The Way of the Storyteller.

 

 

 


Welcome to LIS 718 01.  This course will examine the history and techniques of storytelling in the library oral tradition.  The primary emphasis in this class will be on the telling of traditional folktales to a specified target audience.  Five storytelling presentations will be required of each student; all stories must be approved by the instructor.  Available folk materials for children, research tools, online resources, and texts on storytelling, folktales, and narrative will also be examined.  This is a class on oral presentation; nearly all written work will also be presented in class. 

 

During this course, each student will participate in discussions re: 

 

·        the history of storytelling for youth in public libraries

·        available folk literature for youth and its application in school and public libraries

·        the evaluation of folk literature for youth

·        library storytelling as a reading motivational tool

·        current research in education, librarianship, and storytelling regarding the storytelling/reading connection

·        other related issues.

 

 

 

Required Textbooks:

 

·        Greene, Ellin.  Storytelling: Art and Technique.  3rd edition.  Libraries Unlimited, 1996.

·        MacDonald, Margaret Read.  The Storyteller's Start-Up Book.  August House, 1993. 

·        Sawyer, Ruth. The Way of the Storyteller.  Viking, 1942.

 

 

 

 

 

            Storytelling at its best is mutual creation.  Through the stories    themselves and through the interaction between teller and listener,         traditional storytelling goes beyond the surface child to speak to the     inner child, to recreate and nurture the human spirit.

                                                                        ~Augusta Baker, Storytelling:  Art and Technique.

 

 


Grading

 

Class participation is worth 20% of your grade.

 

Infrequent class participation will substantially lower your overall grade.

 

All assignments must be turned in by the due date in order to receive full credit.  Due dates are not flexible unless an agreement is made with the professor at least 24 hours in advance of class time on the due date.  Emergencies will be handled on a case-by-case basis. 

 

Grades for written assignments are based on clarity of writing, comprehensive attention to both the topic and the assignment requirements, quality of work, and visible demonstration of effort. 

 

General oral presentations are graded on the speaker’s ability to connect with the audience, organization of information, use of language, fluency, volume, use of visual aids, and adherence to time limits. 

 

Storytelling is graded on the amount of improvement shown over the length of the course.

 

Professional, grammatically correct writing is expected.  To state this requirement plainly, spelling, punctuation, and grammar count.  If this is a problem, find someone whose skills you trust to proofread your written work or go to the Academic Resource Center (Lower Level, Parmer Hall, 708/524-6682) for assistance.  Please remember that spell-check is fallible.

 

For a refresher course on grammar and punctuation, see William Strunk, Jr.’s The Elements of Style. FQ Classics, 2007.  (The fourth edition will do as well.)

 

 

 

Academic Honesty and Integrity

 

"All students of the GSLIS are expected to observe high standards of academic honesty and integrity. Any student whose conduct violates such standards may be subject to disciplinary action as determined by due process." (GSLIS Bulletin, p. 48)

 

Plagiarism is unethical and unprofessional and will result in project failure.  Each student is responsible for understanding what plagiarism is and how to avoid it.  See Purdue University's "Avoiding Plagiarism," http://owl.english.purdue.edu/handouts/research/r_plagiar.html or Indiana University's "How to Recognize Plagiarism", http://education.indiana.edu/~istd/test.html if you are unsure about what is and what is not considered acceptable behavior when using other people's words and ideas.

 

 


GSLIS GRADING POLICY (Effective 12/15/2004)

 

According to the GSLIS Grading Policy, the grade for “good, solid work” that “demonstrates strong comprehension of the course materials” is a B+, not an A.  Please see the policy that follows for additional clarification.

 

The faculty of GSLIS Dominican uses the following guidelines when grading.

 

Grade

Numeric

Equivalent

 

Definition

 

A

4.0

Outstanding achievement.  Student performance demonstrates full command of the course materials and evinces a high level of originality and/or creativity that far surpasses course expectations; nearly flawless work.

 

A-

3.67

Excellent achievement.  Student performance demonstrates thorough knowledge of the course materials and exceeds course expectations by completing all requirements in a superior manner.

 

B+

3.33

Good solid work.  Student demonstrates strong comprehension of the course materials and exceeds course expectations on all tasks as defined in the course syllabus.

 

B

3.0

Satisfactory acceptable work.  Student performance meets designated course expectations, demonstrates understanding of the course materials and performs at an acceptable level.

 

B-

2.67

Marginal work.  Student performance demonstrates incomplete, substandard understanding of course materials, or absence of required work; indicates danger of falling below acceptable grading standard.

 

C+

2.33

Unsatisfactory work.  Student performance demonstrates  unsatisfactory understanding of course materials and inability to meet course requirements.

 

C

2.0

Unacceptable work.  Student performance demonstrates incomplete and inadequate understanding of course materials.

 

C-

1.67

Poor work.

 

F

0.0

Failing grade.

 

 


The term “narrative” is often confused with the term “plot,” but they're not the same thing. If I tell you that the king died, and then the queen died, that's not narrative; that's plot. But, if I tell you that the king died, and then the queen died of a broken heart, that's narrative.       

~Vladimir Nabokov

 

Format for Written Assignments

 

  • All citations must be formatted according to MLA guidelines.
  • Written work must be double-spaced with 1 or 1.5 inch margins and no less than 12 point type.  Exception to 12 point rule: please include your name in 10 point type in the footer of all written assignments.
  • No title page is required. Your name, the class number (LIS 718 01), and the name of the assignment must be single-spaced on the upper left hand corner of your written assignments. 

 

Assignments

 

  1. Select, prepare, and tell to the class five 7-12 minute stories for targeted age groups.  No text or props may be used.  Focus on stories found in collections of traditional folktales.  The stories should preferably be those for which you have found variants for comparison.  The storytelling grade is based on the amount of individual improvement shown over the course of the class.  All stories must be approved by the instructor. (25%)

 

2.      Class discussion and participation, including evaluation of in-class storytelling presentations and participation in workshop-style exercises, are a crucial part of this class. You are expected to have read the assigned material and to come to class prepared to discuss and critique these readings. Habitual lateness and/or absences will affect your class participation grade. Infrequent class participation will substantially lower your overall grade for this course. (20%)

 

  1. Compile an annotated bibliography of 20 folktale collections.  This bibliography must be submitted four annotations at a time over the course of the semester.  (25%)

 

  1. Read, abstract, & present to class a book about storytelling or folktales.  All books must be approved by instructor. Written abstract to be turned in to professor.  (10%)

 

  1. Read, abstract, & present to class an essay about storytelling or folktales. All essays must be approved by instructor. Written abstract to be turned in to professor.  (10%)

 

  1. Observe and evaluate a storytelling event; write up and present to class.  Written portion to be turned in to professor.  (10%)

 

If you don’t know the trees you may be lost in the forest, but if you don’t           know the stories you may be lost in life.                           ~Siberian Proverb

 

Class Schedule

 

January 16

            Introduction to class

            Storytelling & Literature-Based Programming in Public Libraries

 

January 23

            Telling Stories to PreSchoolers: Techniques and Resources

            Class discussion of MacDonald’s Storyteller's Start-Up Book.

           

January 30

            Evaluating Folktales for Youth and Other Issues

            Stories for preschoolers for 2/6 must be approved by today

 

February 6

            Story#1a/Story for preschoolers

            Folktales: Sources, resources, and dilemmas; researching, selecting, and learning stories

            Books for abstracts must be approved by today

            Stories for preschoolers for 2/13 must be approved by today

Annotations 1-4 due today

 

Narrative is a compulsion, the quickest bait on the sharpest hook. The first taste of it makes you desperate for the rest, the end, the place where the circle swallows its tail.                     ~Amanda Henry

 

February 13

            Story#1b/Story for preschoolers

            Stories for 2/20 must be approved by today

 

February 20

            Story#2a/Story for Gr. 1-3

            Stories for 2/27 must be approved by today

Book abstract due today

 

February 27

            Story#2b/Story for Gr. 1-3

            Stories for 3/12 must be approved by today

 

March 5:  Spring Break

 

March 12

            Story#3a/Story for Gr. 4-6

            Stories for 3/19 must be approved by today

            Essays for abstracts must be approved by today

March 19

            Story#3b/Story for Gr. 4-6

            Stories for 4/9 must be approved by today

            Annotations 5-8 due today

 

March 26: 

Contemporary Storytelling in the United States; Storytelling Recordings

Essay abstract due today

 

April 2

StoryCrafting Workshop Exercise

            Annotations 9-12 due today

 

April 9

            Story#4a/Story for Gr. 7-8

            Stories for 4/16 must be approved by today

 

April 16

            Story#4b/Story for Gr. 7-8

            Annotations 13-16 due today

            Stories for 4/23 must be approved by today

 

April 23

            Story#5a/Story for HS & Adults

Stories for April 30 must be approved by today

 

April 30

Story#5b/Story for HS & Adults

Storytelling Event Observations due today

            Annotations 17-20 due today

 

 

 

Say it, say it. The universe is made of stories, not of atoms.

~Muriel Rukeyser