As a Sinsinawa Dominican sponsored institution,
Dominican University prepares students to pursue truth, to give compassionate
service and to participate in the creation of a more just and humane world. (Dominican
LIS721 01: Library Materials for
Children
Fall, 2007
Wednesdays 9 a.m.-Noon
Contact Info:
Janice M. Del Negro
Crown 323
708.524.6871
jdelnegro@dom.edu
Office Hours (appointments strongly
suggested):
Tuesdays 3-4 p.m.
Thursdays 1-2 p.m.
Other times by
appointment
The goal of
this course is to provide graduate library school students with an
understanding of the scope of contemporary children’s literature in the
Reaching
this goal will enable students to:
·
apply
the skills, techniques, and established criteria for evaluating, researching,
reviewing, and selecting books for children
·
demonstrate
a knowledge of professional journals, collection development resources, and
internet websites that support the evaluation, selection and discussion of
children’s literature
·
describe
the current trends, selection issues and enduring characteristics of materials
for children
·
identify
major authors, illustrators, and critics of materials for children
·
demonstrate
a basic understanding of children’s interests and developmental needs and apply
that understanding to selecting materials for children, ages birth–12
We’re
fortunate, you know. Too many people in
this world spend their lives doing work that doesn’t really matter in the great
scheme of things. But bringing children and
books together does matter. -Katherine
Paterson
Required
Texts
Horning,
Kathleen. From Cover to Cover: Evaluating and Reviewing Children’s Books. HarperCollins, 1997.
Silvey, Anita, editor. The Essential Guide to Children’s Books and
Their Creators. Houghton Mifflin, 2002.
Books for Required
It is not
required that you purchase all the books for required reading. Most of the
titles can be found in public and school libraries. If you prefer to start your own professional
library, many of these titles are available in paperback and can be purchased
at trade bookstores or online from amazon.com.
Class Participation:
Come to every class on time prepared to participate in discussions and
group activities related to the assigned books and any other assignments. Through
discussion students demonstrate that they have read and reflected upon the
materials assigned. My classes are defined by communication and collaboration:
open discussion is the rule; any question or comment is relevant and valid. Habitual
lateness and/or absences will affect your class participation grade. Infrequent
class participation will substantially lower your overall grade for this course.
(20%)
1) Review a
fiction title for children, ages 9-12; due October 31 (15%)
2) Create an annotated, theme-based, 15 title booklist/talk; sign
up for date (20%)
3) Compare
and contrast 2 non-fiction titles on the same topic, one for preschool/primary
ages and one for Gr. 4-6; due December 5 (10%)
4) Report
on selected Author/Illustrator of the Week; sign up for date (15%)
5) Reader’s
Theater group project; due December 19 (20%)
Format for
Written Assignments
Written work
should be double-spaced with 1 or 1.5 inch margins, with no less than 12 point
type.
No title
page is required. Your name, the class
number (LIS 721 01), the name of the assignment, and the due date,
single-spaced, should be on the upper left hand corner of your written
work. Please include your name in 10
point type in the footer of all standard format assignments
GRADING
Grades are
based on:
Infrequent
class participation will substantially lower your overall grade.
Professional,
grammatically correct writing is expected.
To state this requirement plainly, spelling, punctuation, and grammar count. If this is a problem, find someone whose
skills you trust to proofread your written work, or go to the
The great thing
about revision is that it's your opportunity to fake being brilliant. ~Will Shetterly
All
assignments must be turned in by the due date in order to receive full
credit. Due dates are not flexible
unless an agreement is made with the instructor at least 24 hours in advance of class time on the due date. Emergencies will be handled on a case-by-case
basis.
Academic
Honesty and Integrity
"All students of the
GSLIS are expected to observe high standards of academic honesty and integrity.
Any student whose conduct violates such standards may be subject to
disciplinary action as determined by due process." (GSLIS Bulletin, p. 48)
Plagiarism
is unethical and unprofessional and will result in project failure. Each student is responsible for understanding
what plagiarism is and how to avoid it. See Purdue University's "Avoiding Plagiarism," http://owl.english.purdue.edu/handouts/research/r_plagiar.html
or Indiana University's "How to Recognize Plagiarism", http://education.indiana.edu/~istd/test.html
if you are unsure about what is and what is not considered acceptable
behavior when using other people's words and ideas.
Please
note: According to the GSLIS Grading Policy, the grade for
“good, solid work” that “demonstrates strong comprehension of the course materials”
is a B+, not an A. Please see the policy that follows for
additional clarification.
GSLIS
GRADING POLICY (Effective 12/15/2004)
The faculty of GSLIS Dominican uses the following guidelines when grading.
|
Grade |
Numeric Equivalent |
Definition |
|
A |
4.0 |
Outstanding achievement. Student performance demonstrates full
command of the course materials and evinces a high level of originality
and/or creativity that far surpasses course expectations; nearly flawless
work. |
|
A- |
3.67 |
Excellent achievement. Student performance demonstrates thorough
knowledge of the course materials and exceeds course expectations by
completing all requirements in a superior manner. |
|
B+ |
3.33 |
Good solid work. Student demonstrates strong comprehension
of the course materials and exceeds course expectations on all tasks as
defined in the course syllabus. |
|
B |
3.0 |
Satisfactory acceptable work. Student performance meets designated course
expectations, demonstrates understanding of the course materials and performs
at an acceptable level. |
|
B- |
2.67 |
Marginal work. Student performance demonstrates
incomplete, substandard understanding of course materials, or absence of
required work; indicates danger of falling below acceptable grading standard. |
|
C+ |
2.33 |
Unsatisfactory work. Student performance demonstrates unsatisfactory understanding of course
materials and inability to meet course requirements. |
|
C |
2.0 |
Unacceptable work. Student performance demonstrates incomplete
and inadequate understanding of course materials. |
|
C- |
1.67 |
Poor work. |
|
F |
0.0 |
Failing grade. |
Course
Schedule & Weekly Assignments
September 5 Introduction
to course
A brief
history of children’s literature and publishing for youth; rise of library
services for children.
For
September 12:
Read
Horning, pp. 87-120; browse Silvey re: authors/illustrators read for this week
WebWork:
Explore the following sites:
http://www.zerotothree.org/brainwonders/EarlyLiteracy.html
http://www.carolhurst.com/subjects/criticalpicture.html
http://falcon.jmu.edu/~ramseyil/concept.htm
Reading list: Picture Books
All really good
picture books are written to be read five hundred times.
~Rosemary Wells
September 12:
Genres in Children’s Literature: Picture
books
The library
audience: infants, toddlers, and
preschoolers
For September 19:
Read
Silvey, pp. 74-75; browse Silvey re:
authors/illustrators read for this week
WebWork:
Explore the following sites:
http://www.monroe.lib.in.us/childrens/predict.html
http://picturingbooks.imaginarylands.org
http://www.lib.muohio.edu/pictbks/
www.ala.org/alsc/caldecott.html
Reading list: Caldecott Medal and Honor Winners
September 19: Caldecotts; Picture books for older
children
The
Caldecott Medal, history & process; beginning and transitional readers
For September 26:
WebWork: Explore the following sites:
http://picturingbooks.imaginarylands.org
Caldecott Manual:
September 26: Mock
Caldecott Discussion
For October 3:
WebWork:
Explore the following sites:
http://www.lis.uiuc.edu/puboff/bccb/
Children’s Literature Comprehensive Databases (Crown Databases)
Novelist K-8 (Crown Databases)
A book worth reading
only in childhood is not worth reading even then.
~C.S. Lewis
October 3: Reference
& Collection Development Tools
For
October 10: Read Horning, pp. 121-148; Silvey, pp. 135-138 and pp. 80-81; browse Silvey re:
authors/illustrators read for this week
Read
Silvey, pp. 8-10; browse Silvey re: authors/illus. read for this week
WebWork:
Explore the following sites:
http://www.fairrosa.info/readingroom.html#classics
http://www.lib.usm.edu/%7Edegrum/
http://www.weberpl.lib.ut.us/booklists/books.php?BookListID=29&SortOrder=Author
Reading list: Easy Readers & Transitional Books; Classics
October 10: Easy readers and transitional books; Classics
October 17:
Read
Horning: pp. 149-175; Silvey, pp.
301-304; browse Silvey re: this week’s authors/illus.
WebWork:
Explore the following sites:
http://childrensbooks.about.com/cs/reluctantreaders/a/reluctantreader.htm
http://www.ala.org/ala/booklinksbucket/graphicnovelsforyounger.htm
http://www.reading.org/publications/reading_today/samples/RTY-0408-boys.html
Reading list: Realistic and General Fiction
October 17: Realistic and General
Fiction
For October 24: Reader’s Theater Prep Night
Plan your
project: decide what sort of reading selection you prefer to use, how you will
handle the written part of the assignment, etc.
Discuss your understanding of Reader’s Theater in light of the
recommended websites and come to class next week with any questions.
WebWork:
Explore the following sites:
http://www.literacyconnections.com/ReadersTheater.html
http://www.cdli.ca/CITE/langrt.htm
www.aaronshep.com/rt
http://www.loiswalker.com/catalog/teach.html
You must write for
children the same way you write for adults, only better.
~Maxim Gorky
Drama, as many
teachers are discovering, is not only fun and natural for children, it also
encourages emotional growth, motivation, and engagement. One form of drama, known as Reader's Theater,
has been found to be particularly effective in building reading fluency. Called simply "RT" by many
advocates, Reader's Theater can also boost listening and speaking skills,
enhance confidence, and transform reluctant readers into book lovers. ~Jennifer O. Precott
October 24: Reader’s Theater Prep Night
For
October 31:
Read
Silvey, pp. 315-320; browse Silvey
re: authors/illustrators read for this week
WebWork:
Explore the following site: www.mysterywriters.org
Reading list: Mysteries and the Supernatural
October 31: mysteries and the supernatural
For November 7:
Read
Horning, pp. 176-194; Silvey, pp. 198-202; pp. 439-440; 430-432; browse
Silvey re: authors/illustrators for this week
WebWork:
Explore the following site:
http://teacher.scholastic.com/lessonrepro/lessonplans/instructor/social1.htm
Reading list: Historical Fiction; Adventure, Survival &
Sports
November 7:
Historical Fiction; Adventure, Survival & Sports
For
November 14:
Read
Horning, pp. 22-45; Silvey, pp. 217-21; browse Silvey re: authors/illustrators
read for this week
WebWork: Explore the following site:
http://falcon.jmu.edu/~ramseyil/nonfictcriteria.htm
*Fiction Review Due
November 14:
Non-Fiction
For
November 28:
Read
Horning: pp. 69-86; Read Silvey: pp. 439-440;
430-432; & 357-61; Read Horning, pp.
46-68; Silvey, pp.1-2; 15-19 &
184-185; browse Silvey re: authors/illustrators read for this week
browse
Silvey re: authors/illustrators for this week
WebWork: Explore the following sites:
http://www.cbcbooks.org/ http://www.kn.pacbell.com/wired/fil/pages/listpoetrymr14.html
Reading List: Poetry & novels-in-verse;
Folk and Fairy tales
The sound of a word
is at least as important as the meaning. ~Jack Prelutsky
A good poem contains
both meaning and music. ~Eve Merriam
November 28: Poetry and Novels in Verse
For
December 5:
Read Silvey, pp. 148-151; browse Silvey re:
authors/illustrators read for this week
WebWork: Explore the following sites:
http://www.mythsoc.org/awards.html
http://www.ala.org/ala/booklist/booklist.htm
Read the following articles by Betsy
Hearne:
“Cite the Source: Reducing Cultural
Chaos in Picture Books, Part One”
School
Library Journal, July
1993;
http://www.lis.uiuc.edu/~hearne/cite.html
“Respect the Source: Reducing Cultural
Chaos in Picture Books, Part Two”
School
Library Journal,
August 1993; http://www.lis.uiuc.edu/~hearne/respect.html
Reading list: Fantasy; Folk and Fairy Tales
*Non-Fiction Comparison due
Fantasy's hardly an
escape from reality. It's a way of understanding it.
~Lloyd Alexander
Little Red Riding
Hood was my first love. I felt that if I could have married Little Red
Riding Hood I should have known perfect bliss.
~Charles Dickens
December 5: Fantasy; Folk and Fairy Tales
For
December 12:
Read
Silvey, pp. 28-30; browse Silvey re:
authors/illustrators for this week
WebWork:
browse award sites as noted on reading list
Reading list: Award Winners
December 12:
Award-winners
December 19: Reader’s theater Presentations
LIS721 01: Library Materials for
Children Fall 2007
Reading
List
For September 12: Picture Books
Read as widely in this list as possible and make a list of titles read. If you cannot find the particular titles listed, look at other titles by the same author/illustrator. Bring 3 books to class for discussion. Starred (*) books are strongly recommended reading.
Miss Nelson is Missing! Houghton, 1977.
Armstrong, Jennifer. Once upon a Banana. Simon, 2006.
Avi.
Silent Movie. Anne Schwartz/Atheneum, 2004.
Azarian, Mary. Gardener's Alphabet. Houghton, 2000.
*Bang
Molly. Ten, Nine, Eight. Greenwillow, 1988.
Bee, William. Whatever. Candlewick, 2005.
. Madeline.
Simon &
Schuster, 1939.
Bryan, Ashley. Beautiful
Blackbird. Atheneum, 2003.
Bryant, Sean. A Boy and His Bunny; illus. by Tom
Murphy.
Mr. Gumpy’s Outing. Holt, 1970.
Mike Mulligan and His Steam
Shovel. Houghton, 1939.
. The
Very Hungry Caterpillar. World, 1969.
Coy, John. Two Old Potatoes and
Freight
Train. Greenwillow,
1978.
Cronin, Doreen. Wiggle; illus. by Scott Menchin. Atheneum, 2005.
Denise, Anika. Pigs Love Potatoes. Philomel, 2007.
. Strega
Nona. Prentice, 1975.
Ehlert, Lois.
. Go Away Big Green Monster! Little, 1992.
Emberley, Rebecca. My Colors/Mis Colores; My Numbers/Mis Numeros. Little, Brown,
2000.
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